Monday, 20 April 2009

THROWING IN THE TOWEL


Ive been doing KITCHEN OF THE UNHOLY for only about 3-4 months now, and i have to say i thought i wouldnt get bored with it, but...shit happens. So rather than close the blog completely i thought it might be an idea to open it up for other people who have similar taste in music etc. i just hardly find the time to update it as much as i would like to, but still have a load of music to put into it, so i would prefer to put my bit in here and there.


If your interested in taking this sloppy, badly looked after peice of shit blog on, let me know!

MELVINS!!!


Not all their albums , but most of them. except for the last couple which you should have already bought from ipecac records.


Mangled Demos From 1983: http://www.mediafire.com/?jn1uim6odwj




Your Choice Live Vol. 12!: http://www.mediafire.com/?ynxm0ngmzvo












Singles 1-12: Alive at the Fucker Club: http://www.mediafire.com/?bnq5zcbnmg0






Hostile Ambient Takeover: http://www.mediafire.com/?boo0mn4mf9n


A Small Dose Of Powerviolence....


PPOOOOWWWWEEERRVIOLNCE!!!!

FLOOR demo and 7”s here

INFEST – Discography here

DESPISE YOU west side horizons here

Monday, 13 April 2009

BUTTHOLE SURFERS - Locust abortion technician

Butthole Surfers: "Locust Abortion Technician"Touch & Go 1987.
1) Sweat Loaf
2) Graveyard
3) Pittsburg to Lebanon
4) Weber
5) HAY
6) Human Cannonball
7) U.S.S.A.
8) The O-men
9) KUNTZ
10) Graveyard
11) 22 Going On 23

Before getting into the music here, there is an important thing that requires explanation.
Clowns are evil. They are also scary. Clowns are very often components of childrens' worst nightmares. One trumpet player I worked with back in the 1980s used to wake up screaming as a child because he would have dreams about the clown in the painting over his bed coming after him to kill him. And it should be noted that John Wayne Gacy, noted mass-murderer, used to perform at kiddy parties as a clown.
There are clowns on the cover of this album. Make of that what you will.
This album starts off with waves of blissful, etherial music. Calming strings, harps, bliss...and the following dialogue:
"Daddy?""Yes, son?""W-w-w-what does regret mean?""Well, son...a funny thing about regret is that it's better to regret something you _have_ done, instead of something you _haven't_ done. And if you see your mom this weekend, be sure and tell her...SATAN!!! SATAN!!! SATAN!!!"
...and we're shot headfirst into a sludgy, slow, bashing mangling of Sabbath's "Sweet Leaf", with Gibby snarling something that sounds like "RAPE!!! OF DESIRE!!!" through a pile of delays and other electronic rubble. The effect of going from that intro to THIS is about as close as you get musically to the experience of being thrown into a pit of alligators. Welcome to "Locust Abortion Technician", folks...one of the two arguable peak products of the Texan juggernaut of sheer psychosis known as the Butthole Surfers.
To attempt to describe everything on this album is pretty much impossible. Just trust me when I say that ANYWHERE you put the needle down on this slab is going to be totally over-the-top insanity, like some deranged miswiring of rock machinery from Cologne, Detroit, Houston, and Alpha Centauri hooked up in some way that's almost certain to cause the whole mess to explode!
Let's hit the high points, shall we?
After "Sweat Loaf", the first version of "Graveyard" lurches and crawls all over your forebrain, tape running at the wrong speed, everything dragging like some sort of hybrid of NEU!'s "Super 16" and The Stooges on dental anaesthesia.
"HAY" features drunken yelling, tracks running the wrong way, a vortex of severe weirdness. A great lead-in to the thrash-out "Human Cannonball"...a straight-up punk slammer as only them Butthole Boys can do 'em.
The first track of side 2 was my first intro to the Buttholes. I had spent the previous evening on some particularly heavy acid, and while coming down paid a visit to my collaborator in my ambient ensemble at the time. Jim had this manic grin on, and said "Have a seat...I have something YOU need to hear...RIGHT NOW!" And he dropped "USSA" on at full-blast. I have yet to recover from this. The whole thing starts off with industrial hammering while Paul Leary spuzzes along in the key of R. Then some sadistic bastard grabs the tape speed controls, and everything lurches violently, then Gibby starts screaming "USSA!! USSR!! USA!! USR!!!" through a fatally-damaged prison PA system as someone starts scratching a record. No, not as in hip-hop. Literally. Brutally dragging the tone arm back and forth as 'percussion'. Good Christ. Leary returns to play such great notes and "KREEANNG!!" and "SPRAIIIGNNN!!!" and "BLEAAANNNGG!" over the whole demonically-possessed mess before it all just stops.
"The O-men" is another hardcore skankorama, with lyrics that may be related to the Pentacostal act of faith known as 'speaking in tongues'. Or maybe Gibby's got a bottle of pure liquid amyl in the vocal booth and he's taking big huffs between phrases. Or both.
"KUNTZ" takes a Vietnamese pop tune and subjects it to electronic manglery to get the vocalist to start going "KUNTZKUNTZKUNTZKUNTZ..."...which gets worse and worse and more brain-damaged as this short treatise on what NOT to do with effects continues.
Then "22 Going on 23" gets started with a snippet of radio psychology about someone who 'cannot sleep' before the sludge-o-tastic Surfers kick in over the top in a groove that sounds like a poppy and upbeat...ahhh...Melvins? Yeah, that's a stretch for the mind, I know. Over this, swirling around in stereo like evil spirits, are voices repeating fragments: "...sleep problem...", "...anxiety...", "...medicine...", and the woman at the beginning who keeps releating "I cannot sleep..." It sounds like pure insanity. It IS pure insanity. And with the sound of cows mooing, the whole episode is over. You're safe. It stopped.
This thing is a total mental meltdown. That's really the only term for it. It's beyond psychedelia, and off into some turf that would land average people in the rubber room. Musically, it's primal, primitive, assaultive...and damn close to unique. Even their previous effort, "Rembrandt Pussyhorse", while still being a real brain-roaster, doesn't have the attack stance this does. There was once a rave sampler called "Only for the Headstrong"...but those who thought they were down with that would probably be psychologically incinerated by "Locust Abortion Technician". It just ain't right, as they say down there in the Lone Star state. If you think you can handle this, be my guest, but don't come complaining to me when the back of your head explodes JFK-style all over the wall behind your couch. I _warned_ you, dammit. (review by Lugia from julian cope's head heritage site)

ANAL CUNT - I like it when you die


1. Jack Kevorkian Is Cool
2. Valujet
3. You've Got No Friends
4. You Keep a Diary
5. You Own a Store
6. You Got Date Raped
7. Recycling Is Gay
8. You're a Cop
9. You Can't Shut Up
10. You've Got Cancer
11. We Just Disagree
12. Hungry Hungry Hippos
13. You Are an Interior Decorator
14. Pottery's Gay
15. Rich Goyette Is Gay
16. Branscombe Richmond
17. You Live in Allston
18. You Are a Good Food Critic
19. Just the Two of Us
20. Your Band's in the Cut-Out Bin
21. You're Gay
22. You Look Adopted
23. Your Cousin Is George Lynch
24. You Have Goals
25. You Drive an Iroc
26. You Play on a Softball Team
27. Because You're Old
28. You Sell Cologne
29. Being a Cobbler Is Dumb
30. You Live in a Houseboat
31. Richard Butler
32. 311 Sucks
33. Your Kid Is Deformed
34. You Are an Orphan
35. You're Old (Fuck You)
36. You Go to Art School
37. You're Best Friend Is You
38. You're in a Coma
39. Windchimes Are Gay
40. No, We Don't Want to Do a Split Seven inch with your stupid fuckin band
41. René Auberjonois
42. The Internet Is Gay
43. Ha, Ha Your Wife Left You
44. Hootie and the Blowfish
45. You Went to See Dishwalla and Everclear, your gay
46. Locking Drop Dead in McDonalds
47. Technology's Gay
48. Your Favorite Band Is Supertramp
49. I'm in Anal Cunt
50. You (Fill in the Blank)
51. Kyle from Incantation Has a Mustache
52. Bonus Track #3
readytobeoffended?

AGORAPHOBIC NOSEBLEED - A clockwork sodom 7"


A Clockwork Sodom
1 A Lashing for the Ages 2:24
2 A Clockwork Sodom 2:55
Tentacles of Destruction
3 Tempting the Fires of Gehenna 2:15
4 The Compensation Phenomenom 2:31

AGORAPHOBIC NOSEBLEED - Bestial machinery

1 5% Control
2 Scrutinized
3 Prey for Death/Hollowpoint/Conform to... Death/Life is Pain/Profit is the Motive
4 Snake Charmer
5 Chasing a Dream
6 Allegiance
7 Information
8 Loss for Words
9 Your Insecurity
10 Rich Get Richer
11 Ode to a Junkie
12 Crawl of the Mind
13 What I Did on My Summer Vacation
14 One More Drink
15 Forgotten in Space [Voivod Cover]
16 Letter Bomb
17 El Topo
18 Vapor Lock
19 Victims as Dogs
20 Dead Above the Neck
21 The Executioner Vs. The Sodomite
22 From Above
23 Green Inferno
24 100 Dead Rabbits
25 Circle of Shit
26 Amputee
27 Eight Girls Instead of Nine
28 Sex on the Flag
29 The Newlyweds are Raped
30 Mule
31 10,000 Bullets
32 Centipede
33 Lithium Daydream
34 Doubled Over
35 Suicide Note #1
36 From Filth to Defilement
37 Who Can Wreck the Infinite
38 Morphine Constipation
39 Unholy BMX Fights the Nod (Morphine Constipation Remix)
40 Exceptional Waste
41 Fat Fucking Chance
42 Holy Mountain
43 Sweetback
44 Arrival of Bees
45 Where You Like
46 Powertrip
47 Worthless
48 Pain in Living
49 Lose Your Will
50 Unbelievable Stress
51 Another Useless Asshole
52 My Life is a Money Pit
53 Debilitating Headache
54 Powerfall
55 Paradigm
56 The Power of Dolemite
57 Cut To Happy Hour
58 Military Scientist
59 Kool-Aid Feedbag
60 The Big Fuck You
61 Computer Lethargy
62 Non-Action
63 Anti-Septic
64 Hessian Bodyfarm
65 Solvent
66 Glade, A Straw, and A Sandwich Bag
67 Headglass
68 DC5
69 Hungry Child [C.O.C. Cover]
70 I'd Rather Be Sleeping [D.R.I. Cover]
71 I Don't Need Society [D.R.I. Cover]
72 Black Ass, White Dick
73 Black Market Blastbeats
74 Death Takes a Shit 2" (Assnuke)
75 Ketamine and Kryptonite
DISC 1: AXNXB1
1 Pud Rock
2 Hammer Fight
3 Gravework
4 Can You Dig?
5 Retardo Montalbon
6 Death Takes a Shit
7 Panic Gasp
8 Hooker Bomb
9 Pigs Smell Fear
10 Fuck Your Soccer Mom
11 Baby Cannon
12 You Have No Rights
13 Just a Band
14 Obscene
15 Gorrendously Mutilated
16 Habitrail for Humanity
17 Inappropriate Response
18 Nickel Plated Knuckle Fuck
19 Recovering Contraband From A Constricted Airway
20 Nice Ass
21 Pinkworld
22 Hysterical Misery
23 My Own Rules
24 Intro
25 Mobilize
26 Measure The Bite Marks
27 7.5%
28 The Alcoholic Pain
29 Eyes Like Two Pissholes In The Snow
30 Pediatric Burn Unit
31 I Smell Really Bad
32 Ten Fucking Steps
33 The Grief That Summer Brings
34 Driven to Succeed
35 So Many Car Phones, So Few Bullets
36 McCarthy Witch Hunt
37 The River
38 Harvey
39 Hate Disguised As Legislation
40 Fucking Move, Prick
41 The Pros And Cons Of The CIA
42 Scare Tactics
43 If You Thought Elvis
44 Disease Bomb
45 Gratuitous Wound Photos
46 Broken Political Wing
47 Full Metal Swimsuit
48 Swimming In The LaBrea Tar Pits
49 Tough Guy Bullshit
50 I Feel Dumb
51 Ritalin Attack
52 Absolutely No Samples
53 Silence
54 Driven To Succeed 2
55 Bloated and Complacent
56 Privy To War
57 Typical Tough Guy Bullshit
58 Man's Hate [Soar Throat Cover]
59 I Gave You My Life
60 Control [Napalm Death Cover]
61 Ladies and Gentlemen
DISC2: AXNXB2
Buy their shirts from www.shirtsanddestroy.com
buy their albums from www.relapse.com

SUNN 0))) - White 1

01. My Wall (featuring Julian Cope)
02. The Gates of Ballard
03. A Shaving of the Horn that Speared You

ELECTRIC WIZARD - Let us prey + 1

1. ...A Chosen Few
2. We, The Undead
3. Master Of Alchemy: I: House Of Whipcord II: The Black Drug
4. The Outsider
5. Night of the Shape
6. Priestess of Mars
7. Mother of Serpents

ELECTRIC WIZARD - Come my fanatics + 2

This has the 2 bonus songs on it from the 'demon lung 7"
1. Return Trip
2. Wizard In Black
3. Doom Mantia
4. Ivixor B / Phase Inducer
5. Son Of Nothing
6. Solarian 13
7. Demon Lung
8. Return to the Son of Nothingness

ELECTRIC WIZARD - Supercoven

Supercoven. one of the wizards longest songs....they still play it live now. classic!
1. Supercoven
2. Burnout
3. Wizard of Gore
4. Electric Wizard (Live)

Monday, 6 April 2009

ELECTRIC WIZARD - Witchcult today

1 Witchcult Today
2 Dunwich
3 Satanic Rites of Drugula
4 Raptus
5 The Chosen Few
6 Torquemada ‘71
7 Black Magic Rituals & PerversionsI) Frisson Des VampiresII) Zora
8 Saturnine
“A thousand amps toll the end-time riff,” sings Electric Wizard shaman Jus Oborn on “The Chosen Few,” from his band’s sixth LP, Witchcult Today. “Put down your bongs/ Take up a knife . . . Satanas Luciferus, we pledge these souls to you.”
It’s the kind of shit that would have gotten the band crucified by the PMRC if this were the ’80s. But for Electric Wizard, whose Dopethrone (2000) is still considered a cornerstone of any doom-metal collection, those words are a mission statement. Weed, Satan and volume: the holy trinity of the church of stoner metal and inspirations for pretty much everything that Electric Wizard does.

AGORAPHOBIC NOSEBLEED - Agorapocalypse

ooooo000OOHH!! New Anb arrives soon on multiple formats from relapse records. nice!
AGORAPHOBIC NOSEBLEED have completed work on their fourth full-length album Agorapocalypse. Agorapocalypse’s 13 tracks were recorded by ANb’s own Scott Hull at his Visceral Sound studios. This is also the band's first record to feature new vocalist Kat (SALOME), the band is rounded out by J. Randall and Richard Johnson. Advance song titles taken from Agorapocalypse include: 'Moral Distortion', 'Question Of Integrity', 'Trauma Queen, 'Agorapocalypse Now', and 'Flamingo Snuff'. The album will also feature new and original artwork from ANb visualist Florian Bertmer. Agorapocalypse is set for a CD and LP release on April 14th in North America, April 20th internationally, via Relapse Records. Agoraphobic Nosebleed will also see a series of split releases to be released in 2009, including those with DESPISE YOU, ANS, AGENTS OF SATAN, THRONES, and more.
buy it from relapse when it comes out!

Friday, 3 April 2009

IRON MONKEY - s/t

or buy it from them slags at earache!

SUNN - Oracle

Thursday, 26 March 2009

ELECTRIC WIZARD - Dopethrone + 1

1. Vinum Sabbathi
2. Funeralopolis
3. Weird Tales: I: Electric Frost II: Golgotha III: Alter of Melektaus
4. Barbarian
5. I, The Witchfinder
6. The Hills Have Eyes
7. We Hate You
8. Dopethrone
9. Mind Transferral (Bonus Track)


Sunday, 22 March 2009

ACID KING - Free

Great ep from acid king. this was released by mans ruin..then reissued as the split cd with thee mystic crewe of clearlight (eyehategod)

ACID KING - Down With The Crown + 2

Pretty good stuff!!! Been getting into Acid King a lot recently. reminds of the melvins. This features 2 of their track off comps aswell...an awsome cover of Hawkwind's 'motorhead' and 'not fragile' by....er...someone else.

Sunday, 15 March 2009

TAFF WARS - Episode 3: Rhondda Bar

I love star wars..and this welsh piss-take is almost as enjoyable. What a laugh!!!!


1000 hits!!!!

Its about fucking time too....couild do with some more comments though just to make me happy!
MANY THANKS FOR LOOKING AND LISTENING!

RAP MASTER MAURICE'S $7 VIGILANTE RAP PHONE CALLS



Check this bloke out!! found this on the Derek Erdman site HERE If you live in the states, and are a bit pissed off with someone...this geezer wearing a skirt will ring them up and give them a slating, rap-style....all for the low price of $7!!!

...bizarre!

IRON MONKEY / CHURCH OF MISERY - Split



Iron Monkey formed in Nottingham, England, in 1994, intending "to irritate as many people as possible," according to bass player Doug Dalziel. That may have worked for a while, but eventually the band had to deal with the fact that quite a few people actually liked what they were doing. After releasing a self-titled six-song mini-album in 1996, the band gained a fair amount of appreciation in the underground. Rumors abounded that Pantera frontman Phil Anselmo was listening to the self-titled release when he overdosed on heroin in 1996. As a result of the buzz and infamy around the recording, live shows, and associated rumors, Iron Monkey was picked up by the metal giant Earache in 1997 and released the epic and disturbing Our Problem in 1998. The big label exposure transformed Iron Monkey from a local force into one of two powerhouse sludge bands in the late '90s, the other being New Orleans' Eyehategod . After recording Our Problem , Iron Monkey remained fiercely independent, recording the last effort by the group, the 10" record and CD split with Japan's Church of Misery , We've Learned Nothing , for Melvins cover artist and stoner rock label owner Frank Kozik's Man's Ruin records.


FLESH PARADE - Kill Whitey



New Orleans based Flesh Parade march forth with a musical intensity matched only by the most extreme exponents of pure grindcore. Buzz-saw guitars and pummelling blast-beats break into massive grooves while unbelievably harsh vocals bark out rabid interjections.


SUNN 0))) - Veils It White

One of my favourite Sunn releases. 12"s of droney noise from sunn on one side, with a lovely woodcut screenprint on the other.
A true masterpeice!!

Sunday, 8 March 2009

Lightning Bolt 'Assassins'

DEERHOOF - Wrong Time Capsule Video

video

AGORAPHOBIC NOSEBLEED VIDEO

video

Short but sweet ANb Video!

Sunday, 1 March 2009

LIGHTNING BOLT - Ride The Skies

Ride the SkiesLOAD 031 CD/LP
The future of music has arrrived! Lighting Bolt have recorded a record so high in fidelity, and so total in its bombast that the world will advance to the next level of evolution. With just drums and bass, trainspotters will name check similarly staffed outfits like the Ruins and Godehead Silo. Prepare yourself for much moreĂ¯¿½a band with all your 21st century needs. Noise and commotion, dance floor fury and intracite symphonies to washing machine squeaks. New music, guarenteed to include every citizen of Earth in a scrambling race to the finish line of complete sound! It is rare the sounds of the future are so appealing to all life forms.
The band comes out of the Fort Thunder, Providence, RI locale and has played shows throughout the years with Melt Banana, Dropdead, and Thrones.
Summer of 2000 saw Lightning Bolt tour the country with bands like Orchid, Locust, and Arab on Radar. These shows struck unprepared audiences like a swinging sockful of pennies. Crowds danced to the soundtrack to the armageddon for the the new milennium. Summer of 2001 saw another tour in support of "Ride the Skies". The video/DVD footage was shot on this tour.
This is the most important record of a band at the forefront of the Providence Freak Rock Explosion. Check bands like Landed, Six Finger Satellite, Men's Recovery Project, Arab on Radar, Landed and so many others, and put Lighting Bolt as one of the most essential bands of its era in awe-inspiring, dance damaged, metallic overload.
Buy this record now and enter the ground floor of the revolution in sound.
Song titles:
1. Forcefield
2. St. Jacques
3. 13 Monsters
4. Ride the Sky
5. The Faire Folk
6. Into the Mist 2
7. Wee Ones Parade
8. Rotator
Personnel:
Brian Chippendale - drums, vocalsBrian Gibson - bass

MAN IS THE BASTARD - DIY CD

Man is the bastard were the best powerviolence band in the world... i hear they have reformed too!! This album contains nearly every out of print 7"/ split etc... they ever did. the original came out on slap a ham records , but you can still get the newer remastered version from DEEPSIX

Thursday, 26 February 2009

BLACK MOTH SUPER RAINBOW - Start A People


Another great BMSR album


Raspberry Dawn
Vietcaterpillar
From The See
I Am The Alphabet
Seeeds
I Think It Is Beautiful That You Are 256 Colors Too
Count Backwards To Black
Early 70s Gymnastics
Snail Garden
Folks With Magik Toes
Trees And Colors And Wizards
I Am The Alphabet
1 2 3 Of Me
Hazy Field People
Smile Heavy
BONUS REISSUE SONGS:
Sadness In Her Hair
Sun Stained Places
Yep....too much sunshine acid i think!!!!


LIGHTNING BOLT - Wonderful Rainbow

Lightning bolts best album without doubt!
Forming in 1995 and performing locally around Providence, Rhode Island, Lightning Bolt started out a sloppy but determined art-school trio with a penchant for Skin Graft-style noise-rock and aggressive live shows. It took them two years to get a record out, and when they finally did, it was released in a limited run of 750 copies. Since then, they've tightened up-- even dropping a member to become a bass/drums duo-- and the live shows which were once simply tenacious have slowly developed into juggernauts, atomic blasts of crystalline fury that send shards of feedback and blistering distortion into anyone who dares witness such savagery in the flesh.
2001 saw things quickly heating up for Lightning Bolt. Their first nationally released full-length, Ride the Skies, set an impossibly high standard for the band, its tightly wound maelstrom of brutal aggression earning them instant acclaim as among the most punishing new art-rock bands. But, in an unusual parallel with the early bands of 1980s indie rock, the record served mainly as a flier for their brain-damaging stage show, the main attraction. The massive, chunky noise violence that emits from bassist Brian Gibson and drummer Brian Chippendale onstage makes for an intensely visceral experience. Chippendale's vocals transmit via a contact mic rigged to his mouth inside a weathered, striped ski mask-- which, incidentally, was reduced to a mere shred of its former self by the third time they'd made it to my city last year. Their amps alone are about the height and size of a large-scale yurt, and when they're turned up all the way, the sound is both hypnotic and physically exhausting. Ride the Skies conveyed that power, earning the band comparisons to Ruins, Boredoms, and even Slayer. The bass came in clumps of crackled abuse, the drums clanged and thwacked with colossal precision, and Chippendale's searing, scorched vocal delivery was enough to blow holes clean through the most durable speakers at high volumes.
Suffice to say, Lightning Bolt have got quite a myth to uphold with their second full-length, Wonderful Rainbow. One might expect this follow-up to either echo Ride the Skies, or diverge from that record's distinctive sound and collapse under the weight of its experimentation. I rank Lightning Bolt in my top ten live experiences of all time, and I wasn't quite convinced they weren't just a one-trick pony, all flash and magic. Fortunately, Wonderful Rainbow proves superior to its predecessor. Sure, there's less grating, scraping, and stabbing-- three traits that best defined their last LP-- and it may even disappoint those who love Lightning Bolt purely for the carnage. But Wonderful Rainbow delivers what Ride the Skies most lacked: musical diversity. Possibly taking cues from their psychic brethren and frequent tourmates Hella, Lightning Bolt have replaced much of their corrosive noise with throat-grappling melodies that are... actually kind of pretty, in a lacerating, destructive kind of way.
"Crown of Storms", a noodly, chugging prog anthem spattered with muffled hollering, and the quietly chirping title track, show Lightning Bolt dropping some of their incredible audacity to further embrace a clearly awesome sense of humor. The result is something like a more contemporary, less D&D-oriented Blind Guardian; titanic, complex metal distorted by bass and kickdrum shrapnel. The levity and melody lighten things up considerably, adding more energy and sparkling static, and making the band's traditional fist-throwing freakouts-- like the appropriately titled "30,000 Monkies"-- resonate much more on the uptake. Though already known for naked aggression executed with highbrow overtones, Lightning Bolt have gone even artier on us with Wonderful Rainbow, and by balancing their strong-armed aesthetic with unexpected dynamics, they're now proving themselves as artists with actual range, a band that can deliver beyond the novelty that got people talking; perhaps for the first time on a broad scale, Lightning Bolt will have them listening instead.
- Julianne Shepherd, March 4, 2003
GET IT HERE WONDERFULRAINBOW

BURNING WITCH DEMO 1996

Burning witch's demo from 96 has a good couple tracks of slow sludge from the towers ep
get it here demo96

BURNING WITCH - Crippled Lucifer 2xcd

Dont need to say much about this one really.....just thee most important sludge record ever!!!!!!!
GET IT HERE pt1. CD1 AND HERE pt2. CD2
Buy it from SOUTHERNLORD
The RAR password is: metal-forever

Tuesday, 24 February 2009

SLEEP - Holy Mountain


1.Dragonaut
2.The Druid
3.Evil Gypsy/Solomon's Theme
4.Some Grass
5.Aquarian
6.Holy Mountain
7.Inside The Sun
8.From Beyond
9.Nain's Baptism

EYEHATEGOD - Confederacy Of Ruined Lives

.....And another from EHG

EYEHATEGOD - Southern Discomfort

Absolutely killer EHG compilation of out-takes and 7"s etc....

1.Ruptured Heart Theory
2.Story of the Eye
3.Blank/Shoplift
4.Southern Discomfort
5.Serving Time in the Middle of Nowhere
6.Lack of Almost Everything
7.Peace Thru War (Thru Peace and War)
8.Depress
9.Dopesick Jam

SOURVEIN - Will To Mangle

Sourvein's best album so far in my opinion...raw and heavy.

SOURVEIN - Salvation

Sourveins debut album. a few of these tracks featured on the 'he's no good to me dead' comp from game two records. good stuff!!! similar to eyehategod....a bit.

Sunday, 22 February 2009

BLACK MOTH SUPER RAINBOW - Dandelion Gum

A little slice of what the fuck!!!! this band are insane...check em out!!!
Imagine a pile of controlled substances that could cumulatively spur someone to drop out of a four-year college. Well, more like the art of dropping out. I knew one kid in college – this being a mid-‘90s playground of positivity and activism, and the attendant decrease in individual expectations and responsibilities – who was trying to get a 0.0 GPA for a particular semester. Since one of his parents was a professor and he was on a free ride, this ended up as not only a grab for attention, a show of post-teenage force, but also remarkably difficult to achieve without fucking up one’s life on a more lasting basis. Leering around on the campus lawn, under the influence of a packed bowl and handfuls of acid tabs, mushrooms, Ecstasy and mini-thins, depending on the day of the week, this young man soon learned how hard it is to fill up a day doing nothing. But as he hallucinated, he later explained, it wasn’t the inability to function that got to him as much as the peer pressure to let up on the lifestyle. Sitting around in the sun, he said, looking cool and seeing rainbow pyramids rise up out of the horizon as his personality sublimated into the roots of a tree, was something he could have done all day, for as long as he lived.

Studiously removed from the shit-talk and jagged edges of their nearby Pittsburgh music scene, Black Moth Super Rainbow have accomplished this feat. They’ve isolated themselves for the past three years since their second full-length, the Anticon-suffused Start a People, and withdrawn any efforts to follow that path once again, spinning from producer demo reels to a full-fledged live electronic pop band, living in catalog-showroom luxury, with all the professional, push-button exuberance of ‘70s library music. Five members (who have given themselves time-specific pseudonyms like Tobacco and Power Pill Fist) man a pair of drum kits, Yamaha keyboards, Rhodes piano, guitar, bass and various percussives, with no sequencers around, and blast audiences with a sinus-filling haze of wet, shiny synth-pop, dazed from the sun and in love with its surroundings.

There always needs to be some manner of backstory with acts like this, something that certain people need to ground their sanity in some sort of lysergic, fairytale rhetoric. With Dandelion Gum, the tale is of witches who make candy in the woods. Whether the script works with or against you in the enjoyment of their works is immaterial; the group’s sound stands proudly on its own. Pillowy beds of synth strings float in over the kind of bass generated by an Asteroids cabinet at an arcade, but Black Moth aren’t here to drone. The 16 tracks on Gum, some cribbed from stopgap releases, all bear pronounced rhythms, strong melodies, and the cooling mechanisms of jazz and exotica to provide the air of detachment required to sell this sound. Much in the same way as Air’s tragic score to The Virgin Suicides, or Broadcast’s low-tech departure Tender Buttons succeeded, BMSR gets by largely on the melancholic, just-waking-up moods afforded by simple tunes, tagged along by doubled, vocoded heynonnynonnies. Theremin squelch and thick, dirty beats jet around at boxed corners, just above water, while acoustic guitar and the occasional flute and sitar passage offers instructive, gentle sternness to the palette.

By the third track on Dandelion Gum, you’ve essentially heard the full complement of BMSR’s sound; the accordion moonwalk of “Forever Heavy,” the breathy ballad “Jump Into My Mouth and Breathe the Stardust,” and the busy, leisure-suited game show antics of “Melt Me” define what you’re in store for, sometimes in combinations of the three. That said, there’s still a lot of mileage to be squeezed out of this sound when handled correctly, and as you see groups similar in presentation like The Go! Team struggling to duplicate their past successes, the sturdiness of BMSR’s master template becomes all the more viable. It’s a well-programmed outing either way, with an even balance of uptempo and contemplative tracks, bolstered by a late-album punch of energy, courtesy of “Lost, Picking Flowers in the Woods” and “Caterpillar House.” Dandelion Gum concludes, however, as a product of its makers rather than the times, the attitude required for this sound to succeed, and to engender repeat listens.

Summer’s here early. Outside with you.
GETSOMEHERE: HERE

SHIT AND SHINE - Jealous Of Shit And Shine

So the first SHIT AND SHINE record ('You're Lucky To Have Friends Like Us') came out on Riot Season on vinyl so white it gave you the urge to bite into it. It really did. Hell, it was even worth a lick and a sniff. That one sold out pretty quick so SHIT AND SHINE begged Riot Season to put it out again on CD. Riot Season obviously being the class act that they are and always have been have gone and put it on CD. Hoorah!! not worth biting into but still tasty.Verrrry fucking tasty.
After that the boys strayed into southern territory and recorded the 45 minute Latitudes series masterpiece 'Ladybird'. Have you heard it? Brilliant. Absolutely top fucking shelf and totally untouchable. If you haven't heard it i'm not surprised because that came out on limited CD and sold out pretty damn quick too. There are rumours of a vinyl only repress because the kids want it and the kids keep asking but its still just a rumour. Ahem!
Funny thing about SHIT AND SHINE is that most people know of them because of their live shows and not their recordings. Shame really but that's the price they pay for releasing such quality in low quantities. Name dropping time: Acid Mothers Temple, Lightning Bolt, SUNN O))),Earth. They've played with the heavy hitters and held their ground like true champions. Recently they played a sold out show at this years Sonar festival in Barcelona where they were billed as "group of the year". Rightly so. Usually they have between 5 and 10 drummers onstage and 2 bass players. At a show in Germany last year they had 10 drummers, played one riff on the 2 basses for almost 2 hours, blew one of the p.a. speakers, played on while toxic smoke filled the room and the speaker was changed, and then played for another hour. Fucking ridiculous. Fucking genius. FUCKING LOUD!
So anyway time for a new record and here it is. 'Jealous Of Shit And Shine'. Cheeky cunts. Appropriate though. Like 'You're Lucky To Have Friends Like Us', this one is all over the place but quite a bit more refined and mature. The songs are a bit longer. Not such a slap on the back of the neck like the earlier stuff. Less of a head rush and more like a an intense trip that could go VERY WRONG at any moment. They've roped in one of their heroes BEN WALLER from the COUNTRY TEASERS for vocals on a song called 'Unchained Ladies Shopper'. Sounds like something between Country Teasers and early Sonic Youth I suppose. W hat a great combination! SHIT AND SHINE are all about great but totally awkward combinations. There's a song called 'There Are 2 Bakers Now' for instance, where you can hear twigs snapping, people fucking, and mud sloshing around while a seriously eerie ritualistic drum thud thud thud plays out over the top of some kind of satanic chant?! mmm hmmmm. Or the song called 'When Extreme Dogs Go Wrong' that sounds like some totally kick ass evil southern rock break down but with a sun burnt scumbag drunk football hooligan rattling on about how "Wherever I go ,I go for football".
They do a 35 minute cover version of their beloved early nineties Midwestern retard rock heroes THE STRANGULATED BEATOFFS. The song is called 'Practising To Be A Doctor'. Anybody remember that? a true classic and SHIT AND SHINE do it justice. What a great riff! A riff that totally deserves to be played for at LEAST 35 minutes .sounds even better with the 6 drummers pounding the shit out of it! fucking great. Really really fucking GREAT. Oh yeah, and it wouldn't be a shit and shine record without a couple trashy ass stupid euro pop numbers. 'Hot Vodka'. Oh god. Take a disco bass line crank it into the red and get a French homeless guy to croon over the top. CLASSY. 'Seeing Life Through A Young Mans Eyes'- like Merzbow doing electro! why the fuck not?! add a couple of really nasty scummy drug/noise rock blasts in the form of 'Here Come The Vikings' and 'No Darling it's a Pentagram' and there you have it- 'jealous of shit and shine'. This is the REAL fucking DEAL!

TRY IT OUT: CD1 AND CD2

SHIT AND SHINE - CHERRY

Limited edition (1000 only) CD/DVD edition. Comes with bonus live DVD recorded in London November 2007
Release Info : Shit and Shine isn’t a band, it’s a state of mind.
They’re an afternoon spent tearing up betting-slips at the bookies. A stain on your shirt that won’t wash out. Shit and Shine refuse to be categorised, commodified or caught with their trousers down.
They’re a blurred snapshot of bi-polar Britain, camera-phone footage of a nation that’s slowly swallowing itself whole, one mouthful at a time. They’re a requiem for back-street cafes and grubby little places that now only exist in our memory or in back-issues of Savage Messiah magazine. They’re a brittle, defiantly distorted soundtrack to our own cultural demise: time at the bar, gentlemen, please!
Shit and Shine don’t make records, they make accusations, threats and intimidating phone-calls. Albums sell out in a day or maybe they were never even released. Press-releases come with grainy, badly photocopied pictures of band-members, their faces resembling some freakish Fotofit identity parade, while YouTube is awash with dodgy-looking live clips shot in cellar-bars or at some Argentine Noise fest.

Their new album “Cherry” has been deliberately released to coincide with the clocks going back. It’s a sullen, grimy and spiteful LP, full of piss and vinegar and drums. Imagine an after-pub punch-up in A&E with the Burundi Drummers, or the Butthole Surfers if they had gone to primary school in Harlesden. It’s petty, vicious stuff and, like its magnificently delinquent predecessor, “Jealous of Shit and Shine,” it’s available from the ever-reliable, forward-thinking Black Country label Riot Season.

“Cherry” is a treasure-trove of dark, malignant delights that finds the band augmenting its trademark Neo-Brutalist sound with a whole bunch of unexpected textures:
“Charm and Counter Charm” is the sound of Funk turned evil…George Clinton’s mother-ship abandoned and covered in graffiti in some wasteland in Moss Side. Bootsy Collins smoking the crack equivalent of green kryptonite, chasing imaginary maggot-brained booty and smurf-voiced machine-elf ho’s.

“Prize Winning” is the Glitter Band banged up on a trumped-up drug-smuggling charge in some nightmarish, dysentery-riddled Vietnamese jail. At night, Gary’s disembodied voice talks to them from the toilet-grate through a haze of malarial fever and hashish.

“Sharlade” is the theme-tune to Celebrity Big Brother played by gibbons, while “Cigarette Sequence” attaches contact-mics to yer teeth and carries out a series of unnecessary root-canal treatments.

“High Brooms” is an epic sludge-out: a slow, low-end duel-to-the-death involving guitar, organ and narcoleptic drums that invokes the spirit of John Cale’s early 60s Vox Continental drone-musik on “Sun Blindness Music.” It’ll also have fans of Spacemen 3, Sunn o)), etc weeing themselves with pleasure.

Of course, no Shit and Shine album would be complete without at least one side-long, drum-bludgeoning monster-truck of a track. “The Rabbit Song” arrives like a really bad case of OCD or a documentary on horse-ripping, but with a riff to die for. Children are born, families split up, people wash their hands til they bleed, then wash them some more. But still the band plays on: through rain, snow, hell and high-water. Cats die and dogs copulate. But the band are unstoppable - a force of nature - pausing only to bicker and bitch at each other mid-song through megaphones. When it finally finishes, it’s both a relief and a jarring loss. Like the death of a family member after a long, unpleasant illness.

Yet, inexplicably, you find yourself reaching for the Replay Button: it’s a scientifically proven fact that Shit and Shine are more addictive than Christopher Lee lottery scratch-cards.

“Cherry” is a full-on essential purchase for anyone who’s ever loved raw Outsider Music, Free Noise, Hardcore Punk, Barbarian Rock or underground experimental shit of any size, shape or hue. Trust me, it’s a total gotta-have for Doom Metallers, Sludge Addicts, Japrock Fetishists, Xtreme Drone Geeks or anyone who ever chased a rabbit down a hole.

BUY IT HERE (its only £10 postpaid) www.riotseason.com
GET IT FREE YOU CHEAP ASS BASTARD: HERE

BIG BUSINESS - TOUR EP'S 1,2 & 3

The 3 big biz tour eps.....each one is great.
if you like these go buy thier albums.
ENJOY!!!!

Saturday, 21 February 2009

MELVINS - H.A.T 7" SINGLE COVER SONGS

This set of b-side covers from the 'hostile ambient takeover' singles is awsome. ive left out the sped up version of 'foaming' though, as it was a crap excuse for a song!!
1. Return Of The Spiders (Alice Cooper)
2.Jerkin' Krokus (Mott The Hoople)
3.Promise Me (The Gun Club)
4.Today Your Love, Tomorrow The World (The Ramones)
5.Arny (The Warlock Pinchers)

ACID KING - III

Acid King - III is a great stoner sludge album which features in the line up...Dale crover and Lorax who used to play with the melvins.

Friday, 20 February 2009

COMPILATION OF THE UNHOLY #1

Butthole surfers - Concubine
Sloth - Drugs
Burning Witch - Communion
Agoraphobic nosebleed - Amputee
Iron Monkey - Sleep To Win
Acid King - Bad Vision
Noothgrush - Starvation
Acrimony - The Bud song
Thrones - Senex
Electric Wizard - Priestess Of Mars
Melvins - At The Stake
Godheadsilo - Goin' commando
Cattlepress - Celebration Of Wounds
Gasp - Cant seam a mongrel bly
Flesh parade - Monsieur Lebeaux
Sloth - sweet bottom
Melt banana - If its the deep see, i can see you there
HERE

Saturday, 14 February 2009

STRANGULATED BEATOFFS - Reverse Child Pshcology

Fucked up Shit!!

SLOTH / FLOOR - Split 7"

Here is the Sloth / Floor split 7". both sides are awsome.....check it out!!!!

MELT BANANA / LOCUST - Split 7"

"A split release of massive proportions, this new 7 inch pairs 2 of the most volatile and original bands to emerge from hardcore punk in the last 10 years. Tokyo's Melt Banana (2 songs) should be familiar to anyone with a taste for the extreme, having released God-knows-how-many albums and singles on the likes of Skin Graft, Slap a Ham, A-Zap, HG Fact and others. The Locust (5 songs) are virtually a household name these days - suffice it to say a lot of kids will be chomping at the bit to get their filthy paws on this. It's also the band's first release as a 4-piece and the difference is remarkable - the 'blastbeat' now more of a form of punctuation than the whole basis for a song. Full color artwork by Sam McPheeters (Born Against, Men's Recovery Project) that will bring a smile to your face and a tear to your eye."

MELVINS - Message Saved + Pigskin 7"s

Here are a couple rare Melvins 7"s!!!! Enjoy
Message saved/Thankyou 7": HERE
and
Pigskin/Starve Already 7": HERE

Wednesday, 11 February 2009

MELVINS - Star Spangled Banner 7"

Star spangled banner / Detroit rock city 7"
thanks to The worried Well Blog for this link.